(Excerpted from a
list published by the Albert Solheim
Library @PNCA.edu). Titles available through FAU libraries have the link
attached to the title. Open access links are listed after the title.
Afterall is a journal of contemporary art, providing a forum
for in-depth analysis of art’s context and seeking to inspire artists to see
art as an agency for change. Each issue provides the reader with lengthy,
well-researched articles, and includes different writers discussing the same
artist’s work from varied perspectives. Their website includes additional
articles not appearing in the print version
Afterimage has been an important voice in the photography,
film, video and visual book community. Along with feature articles, books and
exhibition reviews, essays and news, every issue of Afterimage also includes
over 300 free notices for jobs, call-for-work, exhibitions and screenings.
American Arts Quarterly supports today’s burgeoning cultural
revival by championing creative individuals in a variety of artistic disciplines.
The Art Bulletin publishes leading scholarship in the English
language in all aspects of art history as practiced in the academy, museums,
and other institutions. From its founding in 1913, the journal has published,
through rigorous peer review, scholarly articles and critical reviews of the
highest quality in all areas and periods of the history of art. Articles take a
variety of methodological approaches, from the historical to the theoretical.
Art in Print offers important and timely writing on art and
prints by an international array of curators and critics, artists and scholars.
Our reach is global, and encompasses the complete history of printed images
from ancient China to 21st century Brooklyn.
The mission of Art Journal, founded in 1941, is to provide a
forum for scholarship and visual exploration in the visual arts; to be a unique
voice in the field as a peer-reviewed, professionally mediated forum for the
arts; to operate in the spaces between commercial publishing, academic presses,
and artist presses; to be pedagogically useful by making links between
theoretical issues and their use in teaching at the college and university
levels; to explore relationships among diverse forms of art practice and
production, as well as among art making, art history, visual studies, theory,
and criticism; to give voice and publication opportunity to artists, art
historians, and other writers in the arts; to be responsive to issues of the
moment in the arts, both nationally and globally; to focus on topics related to
twentieth- and twenty-first-century concerns; to promote dialogue and debate.
(And to write the longest sentences known to humankind… -ed.)
Art Papers is a non-profit organization dedicated to the examination,
development, and definition of art and culture in the world today. Its mission
is to provide an independent and accessible forum for the exchange of
perspectives on the role of contemporary art as a socially relevant and engaged
discourse.
Using essays, interviews, and artist projects to present a
wide range of topics in language accessible to the non-specialist, Cabinet is
designed to encourage a new culture of curiosity, one that forms the basis both
for an ethical engagement with the world as it is and for imagining how it
might be otherwise.
The aim of Craft Research is to advocate and promote current
and emerging craft research, including research into materials, processes,
methods, concepts, aesthetic and style. This may be in any discipline area of
the applied arts and crafts, including craft education.
Combining a commitment to rigorous scholarship with a vital
concern for dialogue and debate, Critical Inquiry presents articles by eminent
critics, scholars, and artists on a wide variety of issues central to
contemporary criticism and culture. The wide interdisciplinary focus creates
surprising juxtapositions and linkages of concepts, offering new grounds for
theoretical debate.
Design and Culture looks for rigorous and innovative critical
frameworks to explore ‘design’ as a cultural phenomenon today. As a forum for
critique, the journal features a substantial reviews section in each issue.
Moreover, in-depth essays analyze contemporary design, as well as its discourse
and representations. Covering a field that is increasingly interdisciplinary,
Design and Culture probes design’s relation to other academic disciplines,
including marketing, management, cultural studies, anthropology, material
culture, geography, visual culture and political economy.
Grey Room brings together scholarly and theoretical articles
from the fields of architecture, art, media, and politics to forge a
cross-disciplinary discourse uniquely relevant to contemporary concerns.
Publishing some of the most interesting and original work within these
disciplines, Grey Room has positioned itself at the forefront of the most
current aesthetic and critical debates.
The Journal of Modern Craft covers all aspects of craft as it
exists within the condition of modernity (conceived as roughly from the
mid-19th century to the present day), without geographical or disciplinary
boundary. Its editors welcome articles that analyze the relevance of craft to
architecture, design, contemporary art, and other fields, as well as the
central disciplines of clay, wood, fiber, glass, metal, paper, etc. The overall
editorial objective is to support a mobile and wide-ranging contemporary
discourse on craft as an issue in all creative fields, while also being an
authoritative historical voice on the subject of craft as a field or movement
in its own right.
The Journal of Visual Art Practice supports research across
the entire range of visual arts. The journal engages with the progressive
nature of the subject, reflecting upon the changing terrain of art in recent years.
Leonardo was founded in 1968 in Paris by kinetic artist and
astronautical pioneer Frank Malina. Malina saw the need for a journal that
would serve as an international channel of communication between artists, with
emphasis on the writings of artists who use science and developing technologies
in their work. Today, Leonardo is the leading journal for readers interested in
the application of contemporary science and technology to the arts.
Material Religion is an international, peer-reviewed journal,
which seeks to explore how religion happens in material culture—images,
devotional and liturgical objects, architecture and sacred space, works of arts
and mass-produced artifacts. No less important than these material forms are
the many different practices that put them to work. Ritual, communication,
ceremony, instruction, meditation, propaganda, pilgrimage, display, magic,
liturgy and interpretation constitute many of the practices whereby religious
material culture constructs the worlds of belief.
n+1 is a print and digital magazine of literature, culture,
and politics published three times yearly.
n.paradoxa publishes scholarly and critical articles
highlighting feminist art and feminist art theory written by women critics, art
historians and artists on and in relation to the work of contemporary women
artists post-1970 (visual arts only) working anywhere in the world. Each
thematic volume in print contains artists and authors from up to 10 countries
in the world and explores their work in relation to feminist theory and
feminist art practices.
At the forefront of art criticism and theory, October focuses
critical attention on the contemporary arts and their various contexts of
interpretation: film, painting, music, media, photography, performance,
sculpture, and literature. Examining relationships between the arts and their
critical and social contexts, October addresses a broad range of readers.
Original, innovative, provocative, each issue presents the best, most current
texts by and about today’s artistic, intellectual, and critical vanguard.
PAJ is admired internationally for its independent critical
thought and cutting-edge explorations. PAJ charts new directions in
performance, video, drama, dance, installations, media, film, and music,
integrating theater and the visual arts. Artists’ writings, critical
commentary, interviews, and a special review section for performances and
gallery shows are highlighted along with plays and performance texts from
around the world.
Print Quarterly is the leading international journal dedicated
to the art of the print from its origins in the fifteenth century to the
present. It is peer-reviewed. The Journal publishes recent scholarship on a
wide range of topics, including printmakers, iconography, social and cultural
history, popular culture, print collecting, book illustration, decorative
prints, and techniques such as engraving, etching, woodcutting, lithography and
digital printmaking. The journal strives to cover Asian, Latin American and
African printmaking as well as the Western tradition.
Third Text is an international scholarly journal dedicated to
providing critical perspectives on art and visual culture. The journal examines
the theoretical and historical ground by which the West legitimises its
position as the ultimate arbiter of what is significant within this field.
Established in 1987, the journal provides a forum for the discussion and
(re)appraisal of theory and practice of art, art history and criticism, and the
work of artists hitherto marginalised through racial, gender, religious and
cultural differences. Dealing with diversity of art practices – visual arts,
sculpture, installation, performance, photography, video and film – Third Text
addresses the complex cultural realities that emerge when different worldviews
meet, and the challenge this poses to Eurocentrism and ethnocentric aesthetic
criteria. The journal aims to develop new discourses and radical
interdisciplinary scholarships that go beyond the confines of eurocentricity.
World Art encourages critical reflection at the intersections
of theory, method and practice. It provides a forum for redefining the concept
of art for scholars, students and practitioners, for rethinking artistic and
interpretive categories and for addressing cultural translation of art
practices, canons and discourses. It promotes innovative and comparative
approaches for studying human creativity, past and present.
